File:Ben Johnston String Quartet No. 7, mov. 2 just tone row.png

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Summary

Description
English: Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2.

Each permutation contains a just chromatic scale, however, transformations (transposition and inversion) produce pitches outside of the primary row form, as already occurs in the inversion of P0.

Note: I've used "E1" instead of an upside down "13".
Date 25 January 2012 (original upload date)
Source

(Original text: Created by Hyacinth (talk) 02:04, 17 October 2010 using Sibelius 5.

Source: text version in Fonville, John (Summer, 1991). "Ben Johnston's Extended Just Intonation: A Guide for Interpreters", p.127, Perspectives of New Music, Vol. 29, No. 2, pp. 106-137.)
Author Created by Hyacinth (talk) 02:04, 17 October 2010 using Sibelius 5.
Permission
(Reusing this file)

PD-TONE ROW.
(Original text : See: File:Ben_Johnston_String_Quartet_No._7,_mov._2_just_tone_row.mid

See: File:Ben_Johnston_String_Quartet_No._7,_mov._2_just_tone_row_chords.mid)

Licensing

This media depicts a tone row outside of a specific musical context. Rows consist of an ordering of the chromatic scale (no "distinctiveness"), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions. As such, a tone row is a musical concept or technique, which is considered too simple to be eligible for copyright protection, or which consists only of technique, with no original creative input.
This media depicts a musical concept or technique, which is considered too simple to be eligible for copyright protection, or which consists only of technique, with no original creative input.

Original upload log

The original description page was here. All following user names refer to en.wikipedia.
Date/Time Dimensions User Comment
2012-01-25 19:35 1409×377× (19166 bytes) Hyacinth Created by [[User:Hyacinth|Hyacinth]] ([[User talk:Hyacinth|talk]]) 02:04, 17 October 2010 using Sibelius 5. Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Each permutation contains a just chromatic scale, however,

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