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'''''American Standard''''' is an early [[musical ensemble|ensemble]] work by noted [[United States|American]] composer [[John Adams (composer)|John Adams]]. It consists of three movements: a march, a hymn, and a jazz standard.<ref name="KPFA">[http://www.archive.org/details/JohnAdamsOTG John Adams on KPFA's Ode To Gravity Series.] Interview by Charles Amirkhanian. 18 April 1973. Retrieved 10 March 2011.</ref> The piece has only been recorded once for commercial release, by Adams himself, but the middle movement, "[[Christian Zeal and Activity]]", has achieved individual notability. | |||
The work is named for [[American Standard Brands|American Standard Brand]] appliances<ref name="New Yorker">John Adams. "Sonic Youth". ''[[The New Yorker]]'' 85.25 (25 August 2008). p32-39.</ref> although Adams says that the title also reflects that the constituent movements are "indigenous musical forms" of the United States.<ref name="KPFA"/> | |||
The commercial release was produced by [[Brian Eno]] and released on Eno's [[Obscure Records]] label in 1975.<ref name="New Yorker"/> The recording was of a 23 March 1973 performance at the [[San Francisco Museum of Modern Art]] by the New Music Ensemble of the [[San Francisco Conservatory of Music]] of which Adams was director and was released together with two works by [[Christopher Hobbs]] and one by [[Gavin Bryars]] on an album called ''Ensemble Pieces''. | |||
The work is [[aleatoric music|aleatoric]] and Adams did not specify the instruments on which the works should be performed, did not write [[bar (music)|bar lines]] for the music, and noted that a conductor was not necessary to perform the work. | |||
The first movement of the work is "John Philip Sousa". Adams himself notes that it is "obviously a march, but...stripped down to a plodding pulse, with no melody or harmony" and that it sounds "like the retreat from battle of a badly wounded army (not my original intention, but curiously evocative all the same)".<ref name="New Yorker"/> All of the players play a [[B♭ (musical note)|B♭]] <math>{}^4_2</math> chord repeated about 60 times with an addition of what he calls "corny march rhythms".<ref name="KPFA"/> Adams felt that the piece was technically difficult to perform.<ref name="KPFA"/> | |||
The middle movement, "[[Christian Zeal and Activity]]", which includes slow tonal chords and a recorded sample of a preacher speaking,<ref>[http://www.npr.org/templates/story/story.php?storyId=89145711 "John Adams Re-Imagines the Hymn".] [[NPR.org]]. 31 March 2008. Retrieved 10 March 2011.</ref> has achieved notability independent of ''American Standard'' as a whole and is usually the only part of the work recorded or performed. | |||
The final movement is titled "Sentimentals" and is an "arrangement or reworking" of [[Duke Ellington]]'s jazz standard "[[Sophisticated Lady]]" that separates melody from harmony.<ref name="KPFA"/> | |||
==References== | |||
{{reflist}} | |||
==External links== | |||
*[http://www.archive.org/details/JohnAdamsOTG John Adams on KPFA's Ode To Gravity Series.] <small>Audio interview and musical recordings from 18 April 1973. Includes a recording of ''American Standard'' at 00:00 of OTGJohnAdamsR2 and Adams discussing the work at 47:47 of OTGJohnAdamsR1</small> | |||
*[http://www.npr.org/templates/story/story.php?storyId=89145711 Recording of "Christian Zeal and Activity"] by the Wordless Music Orchestra at [[NPR.org]] | |||
[[Category:Compositions by John Coolidge Adams]] | |||
[[Category:1973 compositions]] | |||
[[Category:Experimental music compositions]] | |||
Revision as of 13:17, 31 October 2013
American Standard is an early ensemble work by noted American composer John Adams. It consists of three movements: a march, a hymn, and a jazz standard.[1] The piece has only been recorded once for commercial release, by Adams himself, but the middle movement, "Christian Zeal and Activity", has achieved individual notability.
The work is named for American Standard Brand appliances[2] although Adams says that the title also reflects that the constituent movements are "indigenous musical forms" of the United States.[1]
The commercial release was produced by Brian Eno and released on Eno's Obscure Records label in 1975.[2] The recording was of a 23 March 1973 performance at the San Francisco Museum of Modern Art by the New Music Ensemble of the San Francisco Conservatory of Music of which Adams was director and was released together with two works by Christopher Hobbs and one by Gavin Bryars on an album called Ensemble Pieces.
The work is aleatoric and Adams did not specify the instruments on which the works should be performed, did not write bar lines for the music, and noted that a conductor was not necessary to perform the work.
The first movement of the work is "John Philip Sousa". Adams himself notes that it is "obviously a march, but...stripped down to a plodding pulse, with no melody or harmony" and that it sounds "like the retreat from battle of a badly wounded army (not my original intention, but curiously evocative all the same)".[2] All of the players play a B♭ chord repeated about 60 times with an addition of what he calls "corny march rhythms".[1] Adams felt that the piece was technically difficult to perform.[1]
The middle movement, "Christian Zeal and Activity", which includes slow tonal chords and a recorded sample of a preacher speaking,[3] has achieved notability independent of American Standard as a whole and is usually the only part of the work recorded or performed.
The final movement is titled "Sentimentals" and is an "arrangement or reworking" of Duke Ellington's jazz standard "Sophisticated Lady" that separates melody from harmony.[1]
References
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External links
- John Adams on KPFA's Ode To Gravity Series. Audio interview and musical recordings from 18 April 1973. Includes a recording of American Standard at 00:00 of OTGJohnAdamsR2 and Adams discussing the work at 47:47 of OTGJohnAdamsR1
- Recording of "Christian Zeal and Activity" by the Wordless Music Orchestra at NPR.org
- ↑ 1.0 1.1 1.2 1.3 1.4 John Adams on KPFA's Ode To Gravity Series. Interview by Charles Amirkhanian. 18 April 1973. Retrieved 10 March 2011.
- ↑ 2.0 2.1 2.2 John Adams. "Sonic Youth". The New Yorker 85.25 (25 August 2008). p32-39.
- ↑ "John Adams Re-Imagines the Hymn". NPR.org. 31 March 2008. Retrieved 10 March 2011.